Monday, June 15, 2015

2Pac Letter Reveals Potential Supergroup With OutKast, Scarface, E-40 & More

The latest unearthed 2Pac letter reveals plans of a supergoup featuring OutKast and E-40.


Ah, what could've been. The most recent discovered treasure penned by Tupac Shakur is a letter to his friend Big Lock. Unfortunately, there's no date on the letter, but in it, Pac tells Lock that his record sold five million copies, so it's safe to assume he means All Eyez On Me, which was released February 1996. He would be killed in September of the same year.

In the letter, he also alludes to beef with The Notorious B.I.G., saying after selling five million, "I'm tearin B.I.G. a new ass." It's hard to tell how seriously he was with this, as he then puts a smiley face next to the statement. The most revelatory information from the letter, though, is undoubtedly his alleged plans for a group record--indeed, a supergroup--featuring the likes of: Greg Nice, Buckshot, Smif-n-Wessun, Outlawz, Scarface, E-40, and, last but not least, OutKast.

Pac says the group album was going to be called ONE NATION. Questlove, via Okayplayer, confirmed the authenticity of the letter, adding that The Roots were also approached to be involved with the project. One can only dream of the type of music that could've come out of the ONE NATION studio sessions. R.I.P.


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THE BEST HIP-HOP MOVIES OF ALL TIME



“KRUSH GROOVE” 1985
One of the reasons anyone is writing about hip-hop these days is, without question, Def Jam Recordings. Nowadays home to Rihanna, Kanye West, Big Sean, and Young Jeezy, among others, Def Jam was responsible for introducing seminal acts Public Enemy, Run-DMC, the Beastie Boys, and LL Cool J. “Krush Groove” fixes the lens on the early days of the legendary label. Though it’s a fictionalized account, it provides an excellent look at the first true majorly successful hip-hop label, the house that Russell Simmons and Rick Rubin built.

“SOMETHING FROM NOTHING: THE ART OF RAP” 2012
The newest entry on this list, “Something from Nothing,” is best described by Ice-T’s opening line: “I really felt I had to do this movie because rap music saved my life. When I first heard rap, it just blew my mind.” As director, Ice-T eschewed the academic approach and took viewers on a personal journey through not just his eyes, but also that of several-dozen emcees. Ranging from older acts like Afrika Bambaataa to modern-day superstar Kanye West, “Something from Nothing” has something for everyone.

“BEAT STREET”1984
Long before the flash of “You Got Served,” the movie “Beat Street” was introducing the world to the visual appeal of hip-hop like breakdancing and graffiti. The movie is famous for featuring a battle between the New York City Breakers and Rock Steady Crew, both of which now carry legendary status. Like so many films on this list, this movie is about the come-up. The characters are all trying to find their role in the world as DJs, graffiti artists, dancers, or emcees. Choc-full of great cameos from Doug E. Fresh, DJ Kool Herc and Grandmaster Flash and the Furious Five, “Beat Street” is an essential take on street life in the hip-hop generation.

“HUSTLE & FLOW” 2005
In 2005, southern hip-hop had completely taken over airwaves, and finally established a national presence that had eluded it for over 20 years. “Hustle & Flow” perhaps capitalized on this trend, but make no mistake: the movie is a gem. “Hustle & Flow” follows the path of DJay, an aspiring rapper played outstandingly by Terrence Howard, who got an Oscar nod for his performance. Surrounded by seemingly insurmountable odds and a collective of naysayers, DJay forces his way into the hip-hop game with the help of a handful of allies and a makeshift studio. It’s an archetypal chase-your-dreams flick, but the message is convincingly delivered.

“DAVE CHAPPELLE’S BLOCK PARTY” 2006
Anyone who has watched Dave Chappelle’s immensely popular “Chappelle’s Show” knows that the comedian is a tremendous hip-hop fan, and “Block Party” is simply about that. It’s basically a documentary about what would happen if a hip-hop fan was given wealth and fame, and could use those tools to throw the best hip-hop show possible. In Chappelle’s case, this included The Roots, Kanye West and a reunion by legendary hip-hop trio the Fugees. The movie is a pure joy with possibly the best moment occurring when Chappelle brings the Central State University Marching Band with him to perform at the event.

“BOYZ N THE HOOD” 1991
There are a number of movies that contend for the role of the best hip-hop crime epic: “New Jack City,” “Menace II Society,” “Juice,” “Above the Rim,” and “Belly.” However, when the Library of Congress selects a movie for preservation in the National Film Registry and deems it “culturally significant,” that means something. “Boyz n the Hood” is noted for rapper/actor Ice Cube’s first role, and helped prove that emcees could succeed on the silver screen. The gritty drama puts on full display the rough life in South Central Los Angeles, and has become as name-checked as any film in rappers’ rhymes.

“FRIDAY”1995
Another Ice Cube film, “Friday,” is significant because the West Coast emcee was not only the star, but also the film’s co-writer along with DJ Pooh. Aside from being a groundbreaking movie in this respect, “Friday” created a bevy of memorable characters that rappers love to reference, perhaps none more than the menacing Deebo, which was portrayed immaculately by Tiny “Zeus” Lister, Jr. While the movie won’t teach anyone about hip-hop culture, it has paved the way for more emcees to try their hands at other industries, and has become a beloved part of hip-hop canon.

“WILD STYLE” 1983
Created by director Charlie Ahearn and Fab 5 Freddy, “Wild Style” features a who’s who of prominent hip-hop figures in the ‘80s: Rock Steady Crew, The Cold Crush, Grandmaster Flash, and a number of others. The premise of the movie chronicles the story of a young graffiti artist, but touches on the other core elements of hip-hop culture such as emceeing, turntablism and B-boying. It doesn’t have the high production value of movies like “8 Mile” or “Hustle & Flow,” but that’s what makes “Wild Style” special; it is authentic and gritty from the jump, just like the culture it displays.


“ 8MILE ” 2002
Any fan of hip-hop, and certainly any fan of Eminem, has sought out this semi-autobiographical film that’s part fiction and partly chronicles the struggle of a rising rapper in a relatively unknown hip-hop scene in Detroit. Set in 1995, the film has all the man-versus-self conflict and imperfect romance that movie critics love, but hip-hop heads know that “8 Mile” is a period piece, going back to a time when a cypher was just as likely to break out at work as it was at the party spot. With endless shout-outs to the Detroit hip-hop scene that prove it was a labor of love, “8 Mile” reaches casual viewers and core fans alike.

STYLE WARS .1983
Recently revived via a successful Kickstarter campaign, “Style Wars” is a full-on documentary about hip-hop culture. Its primary emphasis is on graffiti, but emceeing and B-boying are covered as well. Perhaps it is the result of a film like “Style Wars” that artists like Banksy can get international acclaim, and graffiti art is displayed prominently in many museums and as major tourist attractions. “Style Wars” is about the struggle for self-expression in a medium that’s not necessarily understood, which is what hip-hop, at its essence, is all about.

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Sunday, June 7, 2015

Rappers Who Correctly Predicted Their Own Death

TUPAC
Lyrics: “I been shot and murdered, can tell you how it happened word for word /
But best believe n—-s gon’ get what they deserve,” raps Tupac on Richie Rich’s ‘N—-s Done Changed.’
This song was released two months before Tupac Shakur was gunned down in a drive-by shooting on that Las Vegas strip in 1996. His murder is still unsolved.
By his last album, ‘The Don Killuminati: The 7 Day Theory,’ Shakur went by the name Makaveli, a reference to the famed Italian philosopher who advocated faking one’s own death, which some fans believe Pac did.
The West Coast MC also predicted his end in a recently released PBS interview. After he was asked where he saw himself in the next few years, he said, “Best case, in a cemetery. Not in a cemetery, sprinkled in ashes smoked up by my homies. I mean, that’s the worst case.”

B.I.G NOTORIOUS
Lyrics: “I swear to God I feel like death is f—ing calling me,” raps the Notorious B.I.G. on ‘Suicidal
Thoughts.’
Biggie Smalls has always told tales of excess with a distinctive frankness that was sometimes tongue-in-cheek. Death was still at the underbelly of most of his work though.
His debut album, ‘Ready to Die,’ featured many songs that touched on death — ‘Big Poppa,’ ‘Juicy,’ the self-titled track and the album-closing ‘Suicidal Thoughts.’ The latter was particularly eerie considering the way his life story happened.
Of course the Brooklyn, N.Y.-bred MC didn’t commit suicide, but death did find him when he was killed during a drive-by shooting in Los Angeles in 1997. His posthumous album title: ‘Life After Death.’

PROOF
Lyrics: “I’m in the club to beef, you gotta murder me there,” raps Proof on ’40 Oz.’
The crazy part about these lyrics from D12‘s ’40 Oz.’ is how they’re an accurate representation of how Proof passed away. There isn’t a definitive account of what exactly happened at that billiards table at the CCC Club on 8 Mile Rd., on April 11, 2006, but what’s known is the situation escalated between the intoxicated rapper (whose blood alcohol content read .32 at the autopsy — three times the legal limit) and Keith Bender.
Bouncer Mario Etheridge, Bender’s cousin, fired a warning shot into the air to stop the fight. Proof apparently fired shots in retaliation, killing Bender. He died from two shots in his back and another one to the back of his head.
The tragedy was also foretold in Eminem’s ‘Like Toy Soldiers’ video — a song that warned against the kind of activity that actually killed Em’s best friend. Proof played the rapper who’s gunned down in the video.

BIG L
Lyrics: “I watched all of them, run for they share / And all I can do was stare / I got weak and fell on my rear / Now I can hear the sirens, that means here comes the Jakes / But it’s too late, I’m knockin’ on the pearly gates,” raps Big L on ‘Casualties of a Dice Game.’

Big L’s murder was related to conflict, albeit it’s not the type rapped about on this track, ‘Casualties of a Dice Game,’ off his posthumous LP, ‘The Big Picture’ — the lyrics detail a dice game that ends in his death.
The NYPD believed the Harlem rapper was shot to death in response to something one of his two brothers did (they were in prison at the time).
The rapper is considered a legend, but had his life cut short at 24, when he was murdered in a 1999 drive-by shooting.

DOLLA

Lyrics: “You see the rain on my window pane / Waking up in cold sweats having dreams of going out with a bang / My poppa died by the gun, I’ll die by the gun / And if I ever have a son he’ll probably die by the same,” raps Dolla on ‘Georgia Nights.’
Dolla, born Roderick Anthony Burton II, was a promising act out of Decatur, Ga., who unfortunately never got to live to see his first album released. The lyrics from ’Georgia Nights’ stand out because they were tragically autobiographical.
The story is that Atlanta event promoter Aubrey Berry was assaulted by Dolla and his affiliates — who were part of the Mansfield Crips — in an Atlanta nightclub. Later that month, they taunted Berry at a PF Changs restaurant in Los Angeles before following him to his car. Berry then shot Dolla four times with a 9mm in self-defense, killing him. He was 21 when he died.


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Wednesday, June 3, 2015

Top 10 Unsolved Hip-Hop Murders

tupac shakur
An offspring of the Black Panther movement, the New York City–born, California-based Tupac Shakur (birth name: Lesane Parish Crooks) developed his vocal skills in inner-city America, watching and learning from the urban life he experienced firsthand as a child in Harlem and Baltimore. With his 1991 debut 2Pacalypse Now, Shakur showed he could be both explicit and charismatic. He espoused camaraderie with songs like "Keep Ya Head Up" and "If My Homie Calls" and abrasiveness with songs such as "2 of Amerikaz Most Wanted" and "Hit 'Em Up." But his fame and frustration soon led to a near fatal robbery at a Manhattan recording studio in 1994. The incident spiraled into a feud between himself and ex-friend Christopher "Notorious B.I.G." Wallace, which escalated to a large-scale battle between East Coast and West Coast rap factions that eventually led to Shakur's untimely death at age 25. There are many theories as to who actually fired the fatal bullet at Shakur's chest as he left a boxing match in Las Vegas on Sept. 7, 1996 (he died a week later), but after 15 years, the murder remains unsolved.



Biggie Smalls (the Notorious B.I.G.)
Christopher Wallace's ability to free-flow about his gruff Brooklyn neighborhood caught the eye of Sean (then Puffy) Combs, who signed Wallace to his then fledgling Bad Boy Records label. It was at Bad Boy that Wallace skyrocketed, adopting the moniker Biggie Smalls (later the Notorious B.I.G.) and releasing his quadruple-platinum debut album, Ready to Die, in 1994. But his rise was soon plagued with controversy after the 1994 robbery and shooting of his onetime rap compatriot, Tupac Shakur, which spurred a lyrical feud between Bad Boy and rival Suge Knight's Death Row Records (where Shakur recorded). The rivalry came to a head with Shakur's 1996 death, and though some theories speculated Wallace was involved, he was never formally implicated in the murder. He scarcely responded to the rumors, choosing instead to prepare for his sophomore release, Life After Death. Seeking to end the beef that had separated the two coasts, Wallace went to Los Angeles to promote the album. It was there that he was shot dead at the age of 24, when he was leaving the Soul Train Music Awards on March 9, 1997. Subsequent investigations never turned up a suspect, and the L.A. Police Department was later accused of negligence in the case. Sadly, the deaths of both Shakur and Wallace are regarded by many as a turning point from which hip-hop has never recovered.


Jam Master Jay
Despite being best known for his work as one-third of the groundbreaking hip-hop group Run-DMC, Jason Mizell's cuts and scratches set him apart from his friends Joey "Run" Simmons and Darryl "DMC" McDaniels. At the height of Run-DMC's reign during the '80s, the world learned about Mizell's turntablism through a long string of the group's hits including "Hard Times," the titular "Jam Master Jay" and the group's "Walk This Way" cover with Aerosmith. It was this unique style that allowed him to continue his work in hip-hop long after Run-DMC's popularity waned. Starting his own label, JMJ Records, in 1989, he produced breakout rap group Onyx and many others before reuniting with his two friends for Run-DMC's 2000 final album Crown Royal. Even though Mizell was well respected in the industry and had never dropped a diss track against another rapper, he was still a target. At age 37, as Mizell recorded in his Queens studio on Oct. 30, 2002, an assailant opened fire, killing him at point-blank range. Although several people were in the studio, no one admitted to having actually seen the shooter and no one has ever been arrested for the killing. To date, authorities say they have been unable to solve the case largely because of a lack of cooperation from witnesses.


M-Bone
Montae Talbert did not have a very long hip-hop résumé. In fact, although he was part of the upstart Cali Swag District, Talbert never actually did any vocals, leaving the lyricism to his colleagues. Instead, he took a dance popularized in Dallas — named in honor of '80s rap pioneer Doug E. Fresh — took it to California and restyled it for a new generation. In 2009, Talbert's moves went viral, garnering worldwide fame, and a hit single based on Talbert's choreography called "Teach Me How to Dougie" was so popular that it caught the eye of First Lady Michelle Obama, who incorporated the moves into her kids'-fitness campaign. But without warning on May 15, 2011, while sitting in a car with a friend, another vehicle pulled up and shot Talbert, killing him at the age of 22. Police still have no motive in the slaying, but some have speculated that many were jealous of Talbert's success. For their part, the remaining members of Cali Swag District released the album The Kickback in July.

Scott La Rock
Scott "La Rock" Sterling's day job was social work, but he moonlighted as a club DJ. With a popular reputation, he needed a rapper to complement his skills. By accident, he met Lawrence "Krisna" Parker, a graffiti artist who was staying at the Bronx shelter where he worked, and the pair formed a group called Scott La Rock and the Celebrity Three. Later, Sterling and Parker (also known as KRS-One), along with Derrick "D-Nice" Jones, formed Boogie Down Productions and released a 1987 debut LP called Criminal Minded. With hits like "South Bronx" and the title track, the trio soon caught the eye of Jive Records execs who signed them to their label. But the success was short-lived. On Aug. 27, 1987, as he attempted to squash a fight between Jones and an enemy, Sterling was mortally wounded in a Jeep outside the Bronx's Highbridge projects and died hours later. The next year, Cory Bayne and Kendall Newland were arrested for the crime, but as the case had no willing witnesses to testify, they were acquitted.

Big L
Lamont Coleman grew up in an area of Harlem then known as the "danger zone" for its often violent crack-cocaine trade. A lyrical master, he sharpened his skills with street-corner rap battles and before long was part of the D.I.T.C. (Diggin' in the Crates Crew), one of New York City's best underground hip-hop troupes of the early 1990s. His work eventually won him notice from Columbia Records, which signed him in 1992 and released his debut solo album, Lifestylez ov da Poor & Dangerous, under the name Big L. Sadly, his story ends there. As he was recording his follow-up album and reportedly in talks to sign with Jay-Z's Roc-A-Fella Records, Coleman was killed in 1999 at age 24 after suffering multiple gun-shot wounds just a few blocks from where he grew up. Initial reports speculated that his assailant either wanted vengeance against his then incarcerated older brother or mistook him for his brother. Gerard Woodley, 29, was charged with the murder, but was later released because of insufficient evidence. Three posthumous albums have been released.



Magnolia Shorty
At its inception, Cash Money Records was dominated by men, including hitmakers Lil Wayne and Juvenile, who unleashed a unique Southern sound. Seeking to diversify the ranks, founder Bryan "Birdman" Williams sought a female act and signed Renetta Yemika Lowe, whom he nicknamed Magnolia Shorty because she came from New Orleans' Magnolia Projects. Along with singer Trishelle "Miss Tee" Williams, Lowe released a 1997 breakout debut album titled Monkey on tha D$ck, in 1997, which featured the hit "Charlie Whop." But, for reasons that remain unknown, in December 2010, the 28-year-old rapper was shot to death in a car not far from the Magnolia Projects that gave her her name. Another passenger, Jerome Hampton, 25, was also killed.


Soulja Slim
After dropping out of high school, James Tapp Jr. — first known as Magnolia Slim for the housing projects he hailed from — found his way into the rap game, dropping his debut album Soulja fa Lyfe in 1994 and a follow-up album on Master P's label in 1998. After a prison stint beginning that same year, he sought to reinvent himself under the name Soulja Slim. He soon released Streets Made Me, two other albums on his own label, Cutt Throat Committy, and released a chart-topping hit with Juvenile called "Slow Motion." But just a few months after the release of his second album on his independent label, he was killed in front of his mother's home. Police arrested Garelle Smith, 22, in connection with the murder but released him within months. (Smith was found murdered in August 2011.)

Mac Dre
Many people rap about crime and thuggery in the streets, but Andre "Mac Dre" Hicks is one of the few who actually lived it. Born in Oakland, Calif., Hicks dropped three albums in the late '80s with the raunchiness typical of West Coast rap. He continued his rise, despite a five-year prison sentence in 1992, recording two albums over the phone from jail and eventually started his own label, Thizz Entertainment. Under his label, he released four albums, bringing new recognition to Bay Area rap. That resurgence was short-lived, however, as Hicks was shot to death at age 34 while leaving a 2004 performance in Kansas City, Mo. Rumors fingered local rapper Anthony "Fat Tone" Watkins although no evidence has ever surfaced and authorities have never named a suspect. (Watkins was shot dead the following year.)



Smiley Culture
South London–born Smiley Culture delivered music to the world that served to bridge the linguistic divide between British speech and Jamaican patois. His rhymes spoke of the social tension of the day and won him a record deal from the London label Fashion Records. Soon after, he released the hit he is best known for, "Police Officer," a song that tells the story of his arrest and release, allegedly because of his celebrity status. While his other attempts to craft hit songs never proved fruitful, his style went on to influence many others in British rap. In more recent years he was charged with drug conspiracy. When police went to his home with a search warrant, officials say he fatally stabbed himself in the heart at age 48. Despite a police report that found no evidence of misconduct, the public has been dubious about Smiley's untimely end and speculation remains over who really killed the onetime star.
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Tuesday, June 2, 2015

10 BEST VIDEOS FROM THE GANGSTA RAP ERA

E-40 practices looking hard

Gangsta rap, where have you gone?

About 20 years ago at this time we were in the middle of an unprecedented run of gangsta rap greatness, with Death Row, Bad Boy, Ruthless, Rap-A-Lot and others all functioning at high levels. 

And while the songs and albums from this era continue to get shine, let's not forget the videos, which constitute some of the most visually arresting (and funniest) ever made.

Here are the 10 greatest videos from the gangsta rap era.

10) “Practice Looking Hard”
E-40 

E-40 is arguably the most underrated rapper in history. In fact, there's not even really an argument.

"Practice Looking Hard" is a good testament to why he deserves better. The ominous tone and the faded tint are cool, as is the fact that E-40 is chilling with Boots Reily of The Coup, and, um, Tupac.

9) “Keep Their Heads Ringing”
Dr. Dre

We’ve seen house parties and block parties, but leave it to Dr. Dre to take things to the next level with a plane party.

This is probably not the kind of thing we can ever expect to see again, post 9/11.

8) “Damn It Feels Good to Be A Gangsta”
Geto Boys 

Just about everything here works, except for one thing:

We do not necessarily suggest rapping on the stand as the best way to defend yourself in court.

7) “We Want Eazy”
Eazy-E

Live via satellite from prison comes one of the most memorable visuals of the gangsta rap video era. If you look carefully, Eazy's real life Crip compadre Joe D makes an appearance, lifting up the jail blanket to reveal the "hook-up." (Is that a fax machine?)
"We Want Eazy" is funny, it's silly, it's got a populist tone, and it's still kinda freaky. Everything that made Eazy great in a nutshell.


6) “Let Me Ride”
Dr. Dre

This video works on multiple levels. But it also represents a moment of gangsta rap history. 

Years after he'd left NWA and traded insults with Dre and the rest of the crew, Ice Cube made a surprise cameo in "Let Me Ride." (Just past the five minute mark.) It was an announcement of their truce, and their partnership continues to bear fruit, as they're co-producers on the Straight Outta Compton biopic.


5) “Tha Crossroads”
Bone Thugs-n-Harmony 

"Tha Crossroads" was such a glorious, larger-than-life song, it's hard to imagine a video that could be as powerful and over the top. But with its church setting, funeral motif, and, yes, a hologram, this video comes close.


4) “California Love”
Tupac, featuring Dr. Dre

The Hype Williams directed “California Love” has to be the most expensive, elaborate music video of the gangsta era.

The sci-fi imagery makes it unlike just about everything else of its time. But seeing Tupac in gladiator gear (or whatever) makes it all worth it.


3) “Straight Outta Compton”
NWA

Banned from every major video outlet until the group’s momentum got too big to avoid, NWA’s “Straight Outta Compton” set the bar for gangsta rap visuals, to match the emerging gangsta rap sounds of Schooly D and Ice-T who came before them.


 2“Who Am I? (What’s My Name?)”
Snoop Doggy Dogg

Yes, this is a video where people morph into dogs and party.

It’s a testament to Snoop's coolness that he could make this concept work. 


 “1#Nuthin But a 'G' Thang”
Dr. Dre, featuring Snoop Doggy Dogg  

One of the most played videos in MTV history, “Nuthin But a 'G' Thang” is also one of the best parties ever committed to film.

But more than anything, it simply did a perfect job of capturing the environment of Compton, swap meets, low riders, and the g-funk mentality generally. Everything that made gangsta rap great.

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New Tupac Film ‘7Dayz’ Launches Crowdfunding Campaign



Morgan Creek might have some competition in its long-delayed efforts to bring a Tupac Shakur film to the big screen. Another project is also in the works, this one from Tupac’s former producing partner Gobi Rahimi, who has just launched an Indiegogo crowdfunding campaign for his own long-delayed film about the rapper’s last days.

Rahimi, who directed two of Tupac’s music videos and produced several others for Death Row Records, is trying to raise $500,000 in seed money. He says his film, 7Dayz, will recount the last week of the rapper’s life as he lay dying in a hospital after being mortally wounded in a 1996 Las Vegas drive-by shooting.

gobi-rahimi-tupac
“I was waiting for Tupac at Club 662 in Las Vegas after the Mike Tyson fight on September 7, 1996,” Rahimi wrote on the crowdfunding site. “Soon after, I was informed by rapper Nate Dogg that Tupac and Suge Knight had been shot and taken to University Hospital. I immediately rushed there to be by Tupac’s side. This was the first of an emotional seven days that I sat guard over Tupac, who was in an induced coma, riding the line between life and death. 7Dayz is the story of my experience at the hospital amidst death threats, undercover FBI informants and an uncooperative police department.”

Rahimi told Deadline that his film will not be a documentary but a narrative feature that will incorporate his own footage of Tupac during their last recording sessions together. “It’s not a movie about Tupac,” he said. “It’s a movie that will have Tupac in it. It’s about how he changed my life.” Tupac, he said, “will play himself. I have archival footage that I shot of him that’s never been seen before that will be written into the film.” That footage, he said, was shot while the rapper was recording his unreleased album One Nation shortly before his death.

Rahimi doesn’t have the rights to any of the rapper’s songs but said he hopes to gather an all-star lineup to perform “dedication music” for the film. “I’ve been sitting on this footage for 20 years,” he said. “I can’t wait any longer for someone to give me the green light, so I’m just gonna go for it.” The film, he said, will focus on the six nights he sat vigil over Tupac as he lay dying, fearful that someone would burst into the hospital room and finish the job. “It was a tense environment,” he said.

The film, he told Deadline, “is not going to make any accusations or point any fingers” at those responsible for Tupac’s still-unsolved murder, but he notes on the Indiegogo page that “A few weeks before Pac was shot, I wrote the letter that Tupac signed, firing Suge Knight and his lawyer David Kenner. After that, the tension between Tupac and his label soared to new heights.” Knight is in jail awaiting trial for allegedly killing Terry Carter in a hit-and-run incident following a dispute on the set of a promo for the N.W.A biopic Straight Outta Compton earlier this year.

“I was inspired to tell this story,” he wrote on the crowdfunding site, “because I believe that history is written by great people’s contemporaries. I was witness to Tupac’s final days, and I owe it to him and to the world to tell this story. Tupac taught me three fundamental truths. He proved day in and day out what it really means to be true to yourself and your calling. Pac showed me what it’s like to live life without any limits. His loyalty to his family, friends and co-workers taught me the true meaning of that word. Over the last 20 years it was these principles that kept me from selling my footage to the highest bidder and finding an honest way to bring his legacy to life. Tupac’s final week reflects all of the racism and inequality that Baltimore and the likes of Trayvon Martin have been victims to. The powers that be don’t want us to make this film.”

Morgan Creek’s Tupac biopic brought in Carl Franklin last month to direct the film, replacing John Singleton.


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5 Things We Never Knew About Tupac Revealed In This Unreleased Phone Conversation with Sanyika Shakur



Last week an unreleased Tupac conversation between Sanyika Shakur and himself surfaced on the internet. The call took place on October 18th, 1995 and was accidentally recorded by Sanyika Shakur’s wife on their answering machine.

During the call  Tupac reveals many ideas he had, unknown to the public. Based on this conversation we created a Top 5 List of things you probably didn’t know about Tupac, but would absolutely love to. Check it out.

5#Revolutionary plans to take back the community.


Pac talks about using rappers such as Coolio, Ice Cube, Redman and more to make a positive change in the community. He talks about starting a sports youth league with each rapper in the community having his own team. The church would come out and serve food. All the men in the community would srve as security, as so to get respect from the kids around the neighborhood. On the weekends, he planned on lightening the mood through block parties.

Pac had a vision; a plan where him and “all these tough ass suppose to be gansta rappers” would approach every drug dealer and gang banger on the block, take them out to dinner—Dom Pérignon, lobster, all that. They’d ask—from brother to brother—to help keep the streets safe from 6am-11pm. Pac wanted the streets absolutely clean for the kids; no weed, no gunshots, just peace.

4#Pac names a couple of cowards.


During one of his shows, Pac stopped and put the spotlight on a slew of slew of gang members yelling “thug life.” He referred to them as a bunch of cowards, but with plenty of reason. He names a few others, but we’re not totally spoiling this one. Pac was a man of moral.

3#Pac had a positive attitude fresh out of jail.


When Tupac was incarcerated he had everyone in there taking care of him. He came out with an even more positive attitude. Pac admits one of his problems was trying to take care of everyone. If someone was in trouble, he’d stay to help. Things weren’t always reciprocated though. Sanyika drops knowledge on distinguishing the real from the fake. There are a couple of things we could all learn from this conversation.

2#Tupac asks Maya Angelou for help.


Tupac reveals he wanted Maya Angelou to help him write his autobiography. He’d already asked and her response: “ok.” What an epic book that would have been…R.I.P. Ms. Angelou.

1#Tupac knew who shot him (the first time) and why.

Pac reveals he’s not surprised at a white man pulling a gun on him. A black man, however, is a different story. Behold…
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5 Things You Did Not Know About Notorious B.I.G.


On March 9th, 1997 Chirstopher G. Wallace’s (AKA Biggie Smalls, The Notorious B.I.G.) passed away. It’s been almost two decades and his music is still listened to by many dedicated fans of the era in which Notorious B.I.G. revolutionized. To commemorate his passing, here’s 5 things that you did not know about the late Biggie Smalls, AKA The Notorious B.I.G.

 1#Biggie Smalls was a “Notorious” Prankster.



There was no sleeping around Biggie, said Lil’ Cease, one of the rappers Biggie helped mentor. He recalled how everyone was a target of his mischief if they happened to nod off while smoke marijuana around the studio.

Those who did eventually fall asleep would find themselves with Lil’ Kim’s wigs on their heads. They would also be woken up by the group’s “favorite joint”, a lit match, being placed in their hands while they’re asleep. This only happened when they would all smoke weed together and someone would pass out. Seeing as they rolled upto 10 joints at once, someone eventually nodded off.

Lil’ Cease explained,

That was just everyday fun for us. We was just some kids. You know, you gotta think about it, Big was only 24 when he passed. But you know, we was all like 16 or 17 years old. We didn’t know how to act. They gave us a couple dollars.

 2#Biggie Smalls just happened to write many of Lil’ Kim’s lyrics for her.


This meant that there were some ghost written lyrics that Biggie would write and rap them for Kim to mimic the style in which he did them in. Biggie actually did the track title “Queen Bitc” which he his heard rapping below. Something about him saying “got buffoons eating my pussy while I watchcartoons.” is somewhat strange to listen to.

. 3#Biggie and Shaquille O’Neal were really close friends. They even made a song together.

Shaquille revealed on ESPN that he was supposed to go to a party later that night with Biggie Smallsthe night he got killed. Shaq, who was dressed and ready to go, acidentally fell asleep that night and didn’t make it to the party. He then said regrettably that he feels as if his presence might have changed the outcome that night.

I just fell asleep. I woke up about 4 o’clock from a call from my mother. She said, “Did you go to the party?” I’m like, “No, what’re you talking about?” She said, “You know, your friend was shot and killed.” And I was like, “What?” So then I hung up with her and called some people and they told me what had happened.

They released the song “You Can’t Stop My Reign” in 1996.

 4#In the Intro to “Ready to Die”, you can actually hear The Notorious B.I.G. receiving oral sex.


Biggie’s producer and good friend, Sean “Diddy” Combs, was asked about the infamous oral sex segment in the song. He reportedly laughed and said, “These are questions that nobody’s ever asked, and I think Big would be all right with it.”

It turns out that the sex sounds were created by Lil’ Kim giving Biggie oral sex in the studio. It was recorded in the studio room while Biggie was on a piano stool.

 5#The Notorious B.I.G. distributed cassette copies of his album “Ready to Die” from his own home causing a line to wrap around the neighborhood.

Busta Rhymes commented on the event saying,

I watched Biggie give away “Ready to Die” and thought he was crazy. From his house, dubbing the album on a double cassette deck and had a line in front of his crib on St. James like he was selling the best coke ever. That was like the most illest shit because it was his way of marketing himself.
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